re:print

edited by Véronique Chance & Duncan Ganley

re:print

Edited by Veronique Chance & Duncan Ganley

264 Pages

Hardcopy and e-book

Published by Marmalade Publishers of Visual Theory (London)

2018

First Edition 250

ISBN: 978-0-9933373-2-1

RE:PRINT brings together the work of twenty international contemporary artists working in the expanded field of printmaking, in the form of an experimental artist’s book that explores relationships between print media, interdisciplinary art forms and new technologies.

A hybrid of art object, book, in both physical and electronic forms, RE:PRINT addresses concerns of reproducibility, technical developments and inter-medial approaches in contemporary art practices. Through an interplay of image and text from a diverse range of practitioners, RE:PRINT critically rethinks the notion of ‘print’ as both artwork and published multiple and debates what is print in the twenty first century.

The discursive and experimental form of the book and the potential new iterations and means of dissemination that technology now permit allows both the editors and the contributors involved to examine new ways of working, new interactions and distribution with a potentially wider audience.

contributors

Jo Stockham, Jo Love, Steve Lovett, Rob Smith, Asim, Véronique Chance, Susana Gómez Larrañaga, Kelcy Davenport, Nerma Cridge, Fay Hoolahan, Richard Kearns, Annis Fitzhugh, James Hutchinson, Monique Jansen, Duncan Ganley, Mark Shaw, Nick Devison, Mark Graver, Meg Rahaim, Emily Godden.