recent work
Inventory of Empty Streets
13 volume set of artist books and slipcase
Inventory of Empty Streets
13 volume set of artist books and slipcase
2022-24
210 x 210 x 480mm
inventory of empty streets is a photographic project documenting every street inside the Congestion Charge Zone in central London during the first Covid-19 national Lockdown, from March - June 2020.
The entire project of over 3000 images is presented here as a 13 volume set of artist books.
Book layout design by Nicholas Jeeves
Slipcase by Nicky Oliver at Black Fox Bindery, London.
Ten o’clock (2010-2019)
experimental film
Ten o’clock (2010-2019)
experimental film
2020-24
5’ 48”
footage used from BBC News ©
Ten o'clock (2010-2019) is an experimental film using appropriated BBC television footage of election night coverage from the UK general elections of 2010, 2015, 2017 and 2019.
Duncan Ganley: Inventory of Empty Streets
Michael & Noémi Neidorff Art Gallery
Trinity University, San Antonio, USA
Nov 3 - Dec 10 2022
Catalogue featuring essays by Leo Costello & Duncan Ganley
Now available for purchase in the online shop
Duncan Ganley: Inventory of Empty Streets
catalogue
Published on the occasion of the exhibition Duncan Ganley: Inventory of Empty Streets at the Michael & Noémi Neidorff Art Gallery, Trinity University, San Antonio, USA, this limited edition publication contains images from the inventory of empty streets archive and includes essays by Duncan Ganley and Leo Costello.
now available for purchase in the online shop
Inventory of Empty Streets
photographic project &
exhibition
inventory of empty streets is a photographic project documenting every street inside the Congestion Charge Zone in central London during the first Covid-19 national Lockdown, from March - June 2020. The area covers approximately 21 square kilometres and was documented entirely on foot / bicycle during the day.
The project consists of over 3000 individual images and GPS track data.
reading vs. scanning: notes on re:print
Duncan Ganley
journal article
AI & Society Journal
AI & Society Journal
Iteration as Persuasion in a Digital World: Special Issue
Edited by Clare Foster & Ruichen Zhang
Published online 2021
Published in print 2024
This article by Duncan Ganley discusses the challenges of translating artworks and text originally presented in the context of an exhibition and symposium, into a work of print, the artists’ book ‘Re:Print’. The range of contributors emphasizes the diverse scope of forms, processes and ideas in the expanded field of Printmaking. Addressing a variety of approaches to integrating and repurposing this visual and textual material for the printed page, the article outlines the theoretical underpinning of the creation of ‘Re:Print’ and the editorial and design decisions taken to create a hybridized form that is both document and artwork and aims to draw out new agencies of the ‘book’ in a digital world.
Published online by Springer in the peer-reviewed AI & Society Journal January 2021.
Published in print by Springer in the peer-reviewed AI & Society Journal Vol. 39, Issue 2, April 2024
more here…
Read the article online here:
rdcu.be/cdwTg
projects |
re:print
edited book
re:print
edited by Veronique Chance & Duncan Ganley.
published by Marmalade Publishers of Visual Theory, London,
2018
I am co-editor of the experimental artists book ‘re:print’.
’re:print’ has been reviewed by Catriona Leahy in the inaugural issue of IMPACT Journal, Spring 2020.
Read here: CFPR Impact Journal
’re:print’ has featured in the Spring 2019 issue of Printmaking Today.
’re:print’ was included in the bi-annual IMPACT conference, Santander, Spain in 2018: IMPACT 10
Read more about ‘re:print’ here
projects |